University of Westminster
It seems a matter of consensus
among Doctor Who scholars that one of
Doctor Who’s authorial purposes is to
represent and to fashion British national identity. In this regard “School Reunion” (2006) is the
first Doctor Who story in which a
black British character, Mickey Smith, becomes a companion of the Doctor,
albeit not for long. Mickey is the
on-off boyfriend of the Doctor’s beloved (white British) companion Rose
Tyler. His promotion to the role of
companion is encouraged by the well-loved companion of yore Sarah Jane Smith,
who quips that there should always be a Smith in the Tardis. Sarah Jane thereby creates a sense of shared
identity and continuity, tempering and easing the welcome transition from the
long series of all-white companions.
Mickey’s inclusion, swiftly followed by Martha Jones’ longer period as
companion, helped to emphasise Doctor Who’s
commitment to racial diversity as a fundamental characteristic of Britishness.
Perhaps it is no coincidence, too,
that the Doctor’s enemies in this adventure are the Krillitanes, a composite
race. Significantly they are led by an apparently
human headteacher played by Anthony Stewart Head, an actor who represented
Britishness par excellence in Buffy the Vampire Slayer. However, the Krillitanes turn out to be
shape-shifting, horrifying bat-like creatures.
They are, we are told, an amalgam of the races they have conquered. But they take on physical aspects as well,
cherry-picking the best qualities of their colonised.
Graham Sleight has argued that Doctor Who’s portrayal of monsters is a
kind of moral parable: the Doctor opposes not merely the monsters but the
values that they represent. (The Doctor’s
Monsters (
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